It features three singles Life In Marvelous Times, Quiet Dog Bite Hard. A couple months ago, The Ecstatic by Mos Def was removed from Spotify, likely due to label disputes involving Mos Defs home label, Rawkus Records.
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(But Mos, why no Auto-Tune? It’s okay now!) That’s what we call re-centering. The Ecstatic is Mos Def’s/Yasiin Bey’s fourth studio album, released on June 9th 2009 through Downtown Records. After three years of making excellent movie trailers (and less excellent movies) Mos Def returns to rapping long enough to resolve the question of how he feels about Barack Obamas presidency.
But it’s also modern, with the kind of exotic pan-global production (from Euro-club to Turkish-psych) that’s a must in the post-Timbaland era. This isn’t the only sign that Mos is looking back-there’s a great cameo from old-school legend Slick Rick, and a reunion track with Talib Kweli, his former partner in the group Black Star (called “History,” no less). But on “Twilite Speedball,” “Quiet Dog Bite Hard,” “Life in Marvelous Times,” and many others, he rivets his limber flow to the beat and effortlessly produces the kind of good-natured braggadocio and gymnastic wordplay of his glory days. The rootless “experimental” gambits that plagued 2006 train-wreck True Magic crop up occasionally-the Spanish-language track “No Way Nada Mas” (cool idea, but rapping in Spanish doesn’t mean you have to sound like Slowpoke Rodriguez), the cheesy patois of “Workers Comp”, and a smattering of karaoke-caliber singing. Anniversaries are a time for reflection, and for long stretches of the album, Mos remembers with a start that he’s an exceptionally talented rapper. His latest, The Ecstatic, arrives on the 10-year anniversary of his classic debut, Black on Both Sides. His name was synonymous with the late ’90s’ resurgence of politically pugnacious hip-hop, but after his equally era-defining label, Rawkus Records, was absorbed into Interscope, Mos went mainstream as a thespian and plumbed new depths of self-indulgent awfulness as a musician. 'Nice - The greatest, the greatest' Mos Def gave me amazing vibes and memories back with this album. I just hope people dont sleep on this and I Mos Def inetly hope people dont sleep on Yasiin Bey. They are nearly the same length, though Mos wins that battle by about five minutes. The internationally minded The Ecstatic highlights Mos mercury flow, fusing it with heavy-hitting psychedelic funk beats (via the always-on-point likes of. The Ecstatic is a pretty underrated album which deserves more love. Mos Def returns from long strange trip with excitingly coherent new albumĪt this point, you could be forgiven for knowing Mos Def as an actor rather than a musician. The Ecstatic and Born Like This share several common qualities. The Ecstatic is the fourth studio album by American hip hop artist Mos Def, released Jon Downtown Records.
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